Baldwin, language, spirituals

The function of the spirituals in the African-American intellectual tradition is well-known, especially in the work of W.E.B. Du Bois and Alain Locke – for both, the spirituals work as a foundation to the tradition. The spirituals are an enigma. They represent content as both lyric and sound; indeed, the distinction between those two forms of content is thin, at most. More likely there is no real distinction. Frederick Douglass notes the profundity of the sorrow songs in Narrative when Continue reading “Baldwin, language, spirituals”

Introducing Naipaul and Fanon

This is the draft introduction to my essay “Martinique Between Naipaul and Fanon,” which I have written about in a number of posts over the past week.

Antillean society is a neurotic society, a comparison society. Hence we are referred back from the individual to the social structure. If there is a flaw, it lies not in the ‘soul’ of the individual, but in his environment.

Fanon, Black Skin, White Masks

At first glance, they are two very different, if not outright opposed, thinkers. Continue reading “Introducing Naipaul and Fanon”

Sighs and history

The meaning of Caribbean history is too much for any single post, to say the least (ha), but let me reflect here on with two signature moments in theorizing the Black diaspora. At the 1956 Paris Congress, where Fanon delivered his “Racism and Culture” essay, Alioun Diop makes an important set of remarks. Diop remarks that history has “dishonored” black communities, not simply through the systematic violence of four and a half centuries of slavery and colonialism, but also because the meaning and significance of history has always been at stake and the European theorists of history have dominated the narrative that consigns only abjection to Africa and the diaspora. “[W]ere it not for the fact that this History, with a capital H, was the unilateral interpretation of the life of the world by the West all along,” Diop writes, perhaps the historical meaning of black people could be different. Continue reading “Sighs and history”

Between Naipaul and Fanon

My essay for the Caribbean Philosophical Association meeting in San Juan makes what I hope will be a provocative claim: on the question of the meaning of the Caribbean, Naipaul and Fanon are essentially saying the same thing. In terms of the iconography of the Caribbean intellectual tradition, there could not be a sharper contrast. Naipaul is melancholic, wandering, and generally as pessimistic about the meaning of the Caribbean as you’ll find in the tradition. Fanon’s affect is really the opposite, with a dreamy optimism about the future, and (at least at the level of rhetoric) militant politics. Continue reading “Between Naipaul and Fanon”