Beauty, pain, and A Small Place

I’ve been stuck in a particular section of this project – a long critical introduction to a new translation of Jean Bernabé, Patrick Chamoiseau, and Raphael Confiant’s Éloge de la créolité (contracted with SUNY). The section is on Édouard Glissant’s contribution to and critical appraisal of the creolists. On the one hand, this is the most straightforward section of the introduction. Unlike other sections on Négritude and surrealism, black existentialism, and my own conception of the afro-postmodern, this section – which I title Theorizing the Black Atlantic – has plenty of texts for dialogue, extrapolation, and analysis. Still, as it goes with writing, sometimes it is hard to start and find the right motif. Continue reading “Beauty, pain, and A Small Place”