AASD350 – Wednesdays 2-4:30 – fall semester 2023
This course (syllabus: HERE) examines the cinema of the black Atlantic world – in our case, that world between Africa and the Americas. In particular, we will watch and critically engage key filmmakers from Africa, the Caribbean, and the United States in order to understand cinema’s relationship to colonialism, liberation struggle, vernacular culture, and questions intra-racial diversity. We will also examine the relationship between race, nation, and fantasies about identity and meaning.
Filmmakers and films examined in the course:
Robert Townsend, Hollywood Shuffle
Ousmane Sembène, La noir de… and Mandabi
Cy Enfield, Zulu
Gillo Pontecorvo, Battle of Algiers
Stephanie Black, Life and Debt
Sarah Maldoror, Sambizanga
Jean-Marie Teno, Clando
Julie Dash, Daughters of the Dust
Haile Gerima, Sankofa
Melvin van Peebles, Sweet Sweetback’s Baadasssss Song
Spike Lee, Mo’ Better Blues
Perry Henzell, The Harder They Come
Charles Burnett, Killer of Sheep
Jack Hill, Coffy and Foxy Brown
Marlon Riggs, Tongues Untied and Black Is, Black Ain’t
Cheryl Dunye, The Watermelon Woman
Barry Jenkins, Moonlight
John Sayles, Brother from Another Planet
Mati Diop, Atlantic